Tuesday, January 28, 2020

Contextual Positioning Of Photographic Media Photography Essay

Contextual Positioning Of Photographic Media Photography Essay Using one image that you feel is representative of the work of a particular photographer, movement or genre, contextually deconstruct the image, in an objective and considered way. The image I have chosen to contextually deconstruct, is one photographed by Henri Cartier- Bresson. This image was taken in 1969 it is named Sidewalk Cafe, Boulevard Diderot, Paris. To discover the socio-cultural identity of Henri Cartier- Bresson, an exploration into his history must be undertaken, to determine the attitudes and outlook that influenced his thinking, understanding and perception, which can be leant from the social and cultural group to which he belonged. Henri Cartier Bresson was born in the 1900s and was raised and grew up during the age of the bourgeoisie. A Period in time that lasted for around a century and a half, Bourgeoisie translated means city dweller, this was considered a social class. Henri Cartier Bresson captured many great images that symbolise this time period during his life. Paris at that time was the city of its age, the 1900s, incredible wealth, incredible beauty, incredible art next to incredible poverty and bohemianism and a complete reworking of social morays. Henri Cartier Bresson was primarily a photojournlist who was most concernered with time and timing, his photographic fusion of form and content was groundbreaking. His images captured the moment, they are unplanned, this was made obvious when he publisised his book The Decisive Moment in which his introduction stated i craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes. Henri Cartier Bresson decided what to take a photo of, what elements to exclude and what angle to frame the photo, and these factors may reflect a particular socio-historical context. In the 1900s, World War I, was beginning, in the northeast of France, by 1918 the war was over and the Versailles Treaty was signed, the period between World War I and World War II was a time of Depression which lasted almost ten years, this was also the time of the avant-garde movement, in which France played a leading role, which brought artists, musician and filmakers worldwide, to France. The Avant- garde movement was a time in which boundaries of the norm in society were pushed. Henri Cartier Bresson was born into this world, being the eldest of five children and having a wealthy upbringing, he had the option of succeeding his fathers business, however Henri Cartier Bresson held a existentialist view, which meant that he believed he responsible for giving his own life meaning and living his life passionately and sincerely. Many people had this view as it was the time of existentialism. For Bresson it ment persueing his own dreams and passions instead of being duty bound to his f athers company. Henri Cartier Bresson influencer was his uncle, who was a painter, that died during the first World War, when Bresson was a mear age of five. Henri Cartier Bresson mentioned in an interview, in the year in which he died, my uncle, by being a painter, represented freedom to me. Bressons uncle represented bohemianism. Bresson was primarily a painter until he became inspired by a photojournalist from hungary, Martin Munkacsi. Munkacsi captured an image called Three boys at Lake Tanganyika, after seeing this image, Bresson was entralled, and took his camera and began image making himself, mainly in the streets. Bresson began working with a Leica, which he apparently painted black as to disguise it. this gave him anonymity in a crowd and he was able to capture more intimate shots such as the one he capture above, the couple outside a cafe, probably had no idea they were actually being photographed. Street photography is a type of documentary photography that features subjects in a candid situation, it is like holding up a mirror to society. This particular image that I have chosen I feel is a fair representation of his work, it captures the decisive moment attitude. It perfectly captures the Parisian cafe culture. Philosopher Josef Peiper said leisure is the basis of culture. The French cafe is as much a part of the culture of France as wine and cheese. This image captures a sterotype of France, the cliche black and white striped shirt, the Cigerette, and of course the beret. Even nowadays a trip to Paris, will almost always involve, french cafe culture, no matter which area of France a person goes to. Cafe culture is still a prominent leisure activity in France today. Henri Cartier- Bresson being a documentary photographer, photographed significant and historical events, he took images across the world in the beginning of his career, until doing extenstive work on the streets of Paris. Being brought up in a bourgeoisie society, where many people dwelled in cities, could have been part of the reason why Bresson entered the world of street photography. Bresson would have been considered fairly wealthy, in that era, simply because his was born into wealth, this gave him the oppurtunity to pursue his career in photography and the arts, which may not have been made possible otherwise. Bresson also had an full and beneficial education, attending university, and doing his mandatory service in the French Army. Bresson matured both artistically and as a man during a turbulent cultural and political era, which reflects in many of his images because of his documentation, of the worlds great events during his lifetime, such as Gandhis funeral, the final stage of the Chinease Civil War and many other great historial events. Bresson has a skill at envisaging an image, even when simply walking through the streets of Paris, his compostion is second to none, the rule of third is a compostional technique, captured in most of his images seems almost flawless. The fact that his camera is hand held, he manages to capture images, without camera shake, with good compostional skill, with the lighting being natural and without the subjects even realising they are being photographed. Once a subject realises they are being photographed they become far more formal and adapt and unnatural behaviour. The fact his subjects are completely unaware of the image being taken, makes his photographs far more pure and untainted and therefore even more spectacular. Especially so in this image, the couple being photographed are kissing, and are clearly unaware, if they were, this image would have lost its natural beauty, because the image would have been posed for. The small camera Bresson used when taking this specific shot, gave him the ability to get very intimate with this couple without there knowledge. For Bresson the street was his studio Susan Sontag a philosopher argues, To photograph is to appropriate the thing photographed. It means putting oneà ¢Ãƒ ¢Ã¢â‚¬Å¡Ã‚ ¬Ãƒ ¢Ã¢â‚¬Å¾Ã‚ ¢s self into a certain relation to the world that feels like knowledge, and therefore like power. Bresson managed to do this with such ease, and elegance, his perception of the world was captured through his camera, which was basically an extension of his eye. Although Bressons images are influential even in todays society, it can be argued that the way in which he took his images, violated social norms. However, this could be deemed acceptable considering he was living during a time of bohemian revolution whereby the norms in society were being pushed anyway. The fashion captured in this image is a perfect example of the time period. The strippy black and white shirt is not just a sterotype of France, it was the dress that middle class parisians wore. The sterotype of a person riding a bicycle through the streets of Paris, selling bread, garlic and onion is also somewhat true, it was the uniform the sellers wore, but became fashionable and others began wearing it. Another example of parisians pushing boundaries of the norm. Bresson was the co-founder of a company called Magnum photos, in which he himself as well as his co-founders began a project whereby they went out and took a series of images there project names were People live everywhere, Youth of the World, Women of the World and The Child Generation. The aim of the organisiation was to use the photographic medium as a service to humanity. Being a street photographer Bresson captured specific images of the time and the fashion and the attitude Parisians had. The fact that Bresson capture images that were publisized at the time could have been what influenced society, because it is not just society that influences a person, a person can influence society. The image I chose represents Bressons work well because it gives an insight into how exactly he created and captured the image and also gives an example of some of his greatest street photography, as well as proving that Bresson socio-cultural identity does effect his work in many ways. He photographed very ordinary things for the time period, but because they are documenting an era, it makes them timeless. The world in which Bresson has been raised and brought up in, definitly is apparent in his images especially those taken in Paris, his native country. This exploration into Bressons past and subsequently his image making proves that a his upbringing and the social climate in which he existed made an impact on his work, and lifestyle.

Monday, January 20, 2020

Death Penalty :: essays research papers

Death Penalty and Issues of Deterrence For members of society who are retentionists and want to keep the death penalty, its deterrent effects are one of their primary arguments. But there is no conclusive evidence that the death penalty deters would-be criminals from their act of violence. Countless studies have shown that the murder rate in the United States has not gone down since the states were allowed to kill in 1976. In reality, the murder rate has increased, due to the brutalization factor that the punishment creates. There should be no doubt that the death penalty is an expensive, brutal, and ineffective deterrent to crime. Though there isn’t much evidence that proves the death penalty deters crime, there is plenty of evidence and studies that prove it does not. The latest FBI Uniform Crime Report shows that in 2000, the national murder rate decreased 3.1 % from 1999, with the smallest decline in the South. The South remains the region with the highest murder rate, 6.8 victims per 100,000, compared to 5.1 in the West and Midwest, and 4.0 in the Northeast. Since the death penalty was reinstated, over 80% of all executions have occurred in the South, the region with the highest murder rate. The Northeast, the region with the lowest murder rate, has accounted for less than 1% of the executions. A survey done by the New York Times also found that states without the death penalty have lower homicide rates than states with the death penalty. The Times report states that ten of the twelve states without the death penalty have homicide rates below the national average, whereas half of the states with the death penalty have homicide rates above (New York Times, 2/19/00). During the last 20 years, the homicide rate in states with the death penalty has been 48%-101% higher than in states without the death penalty. There are many more studies that show where the death penalty exists, there is a higher murder rate. According to statistics from the latest FBI Uniform Crime Report, regions of the country that use the death penalty the least are the safest for police officers. Police are most in danger in the South, which accounts for 80% of all executions (90% in 2000). From 1989-1998, 292 law enforcement officers were feloniously killed in the South, 125 in the West, 121 in the Midwest, and 80 in the Northeast, the region with the fewest executions.

Saturday, January 11, 2020

Malaysia Famous Food Nasi Lemak Essay

Good morning to lecturer and my dear classmate. Before I start my presentation, I would like to know something, do you all have your breakfast /lunch yet? Cause now, I’m going to make you so hungry. Now , I’m going to share with you all about Malaysia famous food . As we all know, Malaysia is a multiracial country with a population of about 20 million people, This also cause the making of different cuisine appear in this lands. Among all of the delicious cuisine. There is one most popular dish based on rice that mostly accepted by all ethnic groups of Malaysia. We all called it as, â€Å"NASI LEMAK†, As the largest ethnic group in Malaysia, Malay people have form out many kind of traditional food and drink. Among all of the local food, Nasi lemak is the most popular cuisine that have designed by them. Rice of nasi lemak steamed with coconut milk, it will be served with some peanuts, sliced cucumber, hard boiled eggs and a spicy chili sambal. Sambal is the main â€Å"soul† of the Nasi Lemak, to make a delicious Nasi Lemak, Sambal is so important. Different people prefer for different favour for sambal. As example, Malaysian Indian variety of the sambal tends to be a bit more spicy, and the Malay sambal in a nasi lemak tends to be a bit sweeter. Nowadays, Nasi Lemak can be served with a choice of different curries and it also can be served with other cuisine like, rendang meat, fried chicken, squid, and many-many other delicious side-order. Nasi lemak is not only popular in the ethnic of Malaysia, many tourist that visitor our country have try for this cuisine and been attracted by the delicious of it. Nasi Lemak of Malaysia have now become one of the delicious traditional food that famous among the worlds. This is all my presentation for today, thanks for listening and giving concentrate on my talk. Thanks you.

Friday, January 3, 2020

The Liberties, Ideologies, And Effects Of Hacktivism

This paper discusses the liberties, ideologies, and effects of hacktivism. Hacktivism, is the combination of hacking and activism, and is where a hacker creates a technology-centered disturbance with a political or social motive. Unlawful hackers typically cause cyber damage for amusement, or monetary gain. While traditional hackers are perceived as criminals, hacktivists are a transgressive group. Cyberterrorism is the most extreme version of hacking, where the goal is to cause permanent damage. There are benefits to hacktivism such as, anyone can log on and share their opinion, regardless of their location or position. However, some forms of hacktivism may be closer to cyberterrorism, where there may be a malicious intent. Controversy†¦show more content†¦In reality, hackers are a variety of people, with a range of reasons for what they do. Hacking began in the late seventies and early eighties out of curiosity. Quickly, people began to realize the potential for destructio n through cyber attacks. From 2008 to 2012, the hacktivist group Anonymous, became prevalent, because pretty much any amateur with a cause what kind of cause could join Anonymous.. But after several group figureheads were arrested, the general public was deterred from participating this hacktivist group. From 2012 to the present, the door opened for hacktivist specialists beyond Anonymous, to cause destruction. Hacktivism has shifted from large amounts of amateurs causing minimal damage, to small amounts of hacking specialists causing tremendous amounts of damage. Due to the fact that the Internet is largely privatized, it is very hard for hacktivists to get their point across to a large number of people without breaking the law. So, a free speech space needs to be established online to ensure that everyone has a chance to speak their mind on a â€Å"digital sidewalk.† The extreme side of hacktivism is cyberterrorism. Terrorist groups like ISIS have begun to hire specialists to wage cyberwar for their religious and political gain. The Internet battlefield has become just as important as a physical one. However, not all hackers are terrorists, criminals, or even hacktivists. Some hackers take up